Emily Ratajkowski turned up the heat online Saturday, posting some sizzling swimsuit shots in a plunging red bikini! Check out her latest IG post -- the actress and model is flaunting her famous ...

With her audacious sophomore feature “The Bride!” writer/director Maggie Gyllenhaal offers a topical-ish take on “Bride of Frankenstein”: what if “the Joker” was “brat”? (To borrow Charli XCX’s ...

The Bride! is in theaters on March 6. Frankenstein's lightning-streaked bride has been an enduring image on screen ever since James Whale, the director of the original 1931 Frankenstein film, ...

If you love classic movies, THE BRIDE! is pure delight, fun with a brain that is a treat deluxe for those who love both classic movies and Mary Wollstonecraft Shelley’s original book “Frankenstein.” ...

And beyond her protagonist, Gyllenhaal’s daring script contains a handful of radical conceits, from making a character of Mary Shelley herself, to setting her action in Prohibition-era America, to ...

One of the biggest surprises about Gyllenhaal’s The Bride! is just how fun it is. In some ways, it feels like comfort food filmmaking. I wondered how self-serious the movie would be, and the answer ...

He’s a reanimated corpse, cursed to wander the land in a state of existential misery for centuries! She’s a former moll for a two-bit gangster, brought back from the dead to become his soulmate! You ...

Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...

It’s alive! I’m talking about the legend of “Frankenstein.” I thought the reanimated corpse of it came close to slipping off life support in Guillermo del Toro’s “Frankenstein,” a movie that, to me, ...

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties ...

The premise of The Bride! is hidden from its advertising. Writer-director Maggie Gyllenhaal opens on Mary Shelley (an acidic Jessie Buckley) stuck in a black-and-white purgatory of sorts, only her ...